Orianna Cacchione, “Samson Young: Silver moon or golden star, which will you buy of me?”
Silver Moon Or Golden Star, Which Will You Buy Of Me (University of Chicago Press)
LINK
Seth Kim-Cohen, “Against a Falling Fabric: Neoliberal Acousmatics.”
Oxford Handbook of Sound Art (Oxford University Press)
LINK
Seth Kim-Cohen, “the sound canon of Samson Young.”
Songs for Disaster Relief: Samson Young, Hong Kong in Venice (M+ Museum of Visual Culture)
LINK
Christoph Cox, “Phonography: Samson Young’s Sonic Art.”
Songs for Disaster Relief: Samson Young, Hong Kong in Venice (M+ Museum of Visual Culture)
LINK
Yeewan Koon, “What Is the Sound of Failed Aspirations?”
Yishu: Journal of Contemporary Chinese Art
LINK
Peter Meanwell, "Sound Control."
Frieze Magazine
LINK
Hans Ulrich Obrist, "Booming."
Mousse Magazine
LINK
Gregor Quack, "Sound and Fury."
Artforum
LINK
Mark Rappolt, "Samson Young: Ricochet."
Art Review
LINK
Alex Rehding, “Undisciplined thoughts on Samson Young’s Art.”
Real Music (Talbot Rice Gallery, MUMA, and Koenig Books)
LINK
Lucija Sutej, ”In Conversation: Samson Young.”
INFRA
LINK
Yeung Yang, “Samson Young’s Instrumentation.”
International Association of Art Critics, Hong Kong
LINK
Hentyle Yapp, “For Those Minor in and to China: Protests in Hong Kong and Samson Young in Venice.”
Minor China (Duke University Press)
LINK
Michael Maizels & Alexander Rehding, “Muted Situations,” in Bringing forth the new: visual art and the world of contemporary China, (New York: Bloomsbury, 2024). [N.B.: chapter on the Muted Situations series.]
LINK
Brandon Fansworth & Samson Young, “Pockets of Obscure Skills - Samson Young Intervierwed by Brandon Farnsworth,” in New Music and Institutional Critique, eds. Brandon Fansworth & Christian Grüny, (New York: Springer, 2023).
LINK
Seth Kim-Cohen, “Against a Falling Fabric: Neoliberal Acousmatics,” in Oxford Handbook of Sound Art, eds. Jane Grant, John Matthias & David Prior, (Oxford: Oxford University Press, 2021), pp. 307 - 320. [N.B.: chapter on the works of Samson Young and Matthieu Saladin.]
LINK
“Samson Young,” in Sound arts now, eds. Cathy Lane & Angus Carlyle, (Devon: Uniform Books, 2021), pp. 191 - 201.
LINK
Samson Young, “When I Close My Eyes Everything Is So Damn Pretty (Can't Do the Thing You Want, Can't Do the Thing You Want, Can't Do the Thing You Want”, in The Bloomsbury Handbook for Sound Art, eds. Sanne Krogh Groth & Holger Schulze, (New York: Bloomsbury, 2020), pp. 156 - 161.
LINK
Alan Licht, Sound Art Revisited (New York: Bloomsbury, 2019), pp. 225 - 227. [N.B.: section on the work of Samson Young as “post-sound art.”]
LINK
Joel Stern, “Mute is not silence: Samson Young’s Muted Situations,” in Real Music, eds. Tessa Giblin and Charlotte Day, (Edinburgh: Talbot Rice Gallery; Melbourne: MUMA; and London: Koenig Books, 2019), pp. 107 - 115.
LINK
Christoph Cox, “Phonography: Samson Young’s Sonic Art,” in Songs for Disaster Relief: A Mixtape, eds. Ying Kwok and Sonia So, (Hong Kong: M+, 2017), pp. 135 - 146.
LINK
Andras Szanto, BMW Group Munich, eds. For Whom the Bell Tolls: Samson Young's Art Journey, (Berlin: Hatje Cantz, 2016.) With texts by Andras Szanto, Samson Young.
Jasmine Merz, Anna Brohm, Gregor Jansen, Kunsthalle Dusseldorf, eds. Samson Young: A Dark Theme Keeps Me Here, I'll Make A Broken Music, (Wien: Vfmk Verlag fur moderne Kunst GmbH, 2017.) With texts by Jasmina Merz, Christoph Cox, Holger Schulze.
Ying Kwok, Sonia So, eds. Songs for Disaster Relief: Samson Young, Hong Kong in Venice, (Hong Kong: M+, 2017.) With texts by Doryun Chong, Seth Kim-Cohen, Ying Kwok, Anthony Leung Po-shan, Samson Young.
Godfre Leung, ed. It’s a heaven over there, (Vancouver: Centre A, 2019.) With texts by Hendrik Folkerts, Godfre Leung, Qinyin Lim, Tyler Russell.
Tessa Giblin and Charlotte Day, eds. Real Music, (Edinburgh: Talbot Rice Gallery; Melbourne: MUMA; and London: Koenig Books, 2019.) With texts by Stefan Bilbao, Alexandra Chang, Charlotte Day, Tessa Giblin, Alexander Rehding, Joel Stern, Samson Young.
Orianna Cacchione, ed. Silver Moon Or Golden Star, Which Will You Buy Of Me? (Chicago: University of Chicago Press, 2019.) With texts by Orianna Cacchione, G. Douglas Barrett, Seth Kim-Cohen.
Lucas Morin, Dawn Ross, eds. Reasonable Music, (Dubai: Art Jameel. 2021.) With texts by Orianna Cacchione.
Kayo Tokuda, Samson Young, eds. Close Reading, (Cologne: Galerie Gisela Capitain, 2021.) With text by Kayo Tokuda and Samson Young.
Samson Young: New Drawings, (Hanover: Dartmouth College, 2022.) With text by Jessica Hong.
Samson Young. God Save the Queen. DVD. Hong Kong: Flower Music, 2009.
Various, Dajuin Yao ed. Sound Art China: Revolutions Per Minute. Double CD. Hangzhou: Post Concrete, 2013.
Samson Young. A Dark Theme Keeps Me Here, I'll Make A Broken Music. Cassette. Düsseldorf: Kunsthalle Düsseldorf, 2016.
Samson Young. Such Sweet Thunder. Cassette. Hong Kong: M+, 2017.
G Douglas Barrett & Samson Young. What is the sound of one flag burning. Vinyl. 2017.
Various, Olivia De Prato: Streya. CD. New York: New Focus Recordings, 2018.
Kung Chi Shing, "Samson Young: Hong Kong's contemporary music scene / unseen," in the Box Book: Conversations, ed. Kung Chi Shing, (Hong Kong: MCCM Creations, 2009), pp. 254 - 261. LINK
Alexander Chang, "Tomato Grey - Place, Time, and Histories: A Traversing," in 18 Degrees of Accilimation, (New York: White Box Gallery, 2010).
劉靖之, "香港當代音樂創作 (Contemporary Music in Hong Kong)," in 中國新音樂年鑒 (New Music in China year book, 2010), (Shanghai: Shanghai Conservatory Press, 2010), pp. 211 - 214. LINK
Yeung Yang, “Divided Attention – Samson Young,” in Hong Kong Artists, 20 Portraits, eds. Cordelia and Christoph Noe, (Hong Kong: Verlag für moderne Kunst, 2012), pp. 210 - 217. LINK
Eleanor Heartney, "Being In-Between: The Art of Tomato Grey," in No Transnational: Liquid Border and Empty Promises, (New York: ISE Cultural Foundation, 2012). LINK
Chang Tsong-Zung, Serenella Ciclitira and Nigel Hurst, “Samson Young," in Hong Kong Eye: Hong Kong Contemporary Art, (New York: Skira Rizzoli, 2012).
Guo Jau-lan, "從普世主義的媒介性到自我履行的身（聲）體檔案：傾聽楊嘉輝的聲音 (from global perspectives in media to personal approaches in sound through the body: listening to the sounds of Samson Young)," February 2013. LINK
Caroline Ha Thuc, Contemporary Art in Hong Kong, (Hong Kong: Nouvelles Editions Scala, 2013), pp. 60, 61, 92, 95, 96. LINK
Venus Lau, "The Body of the Buddha: on Device Art," Academia.edu, accessed October 2013.
Alexandra Chang, "Approaching the Infinite Narrative Asian Art ‘Now’: The Tomato Grey Artist Collective," Third Text 28:1, (Feb 2014). LINK
Dean Chan, "Undoing Nationalism, Fabricating Transnationalism - A Hong Kong Roundtable Discussion," Third Text 28:1, (Feb 2014). LINK
WIlliam Lim, The No Colors, (Berlin: Hatje Cantz, 2014), pp. 218 - 227, 274 - 279, 355. LINK
Alexandra Chang, “Visualizing Global Asias,” Verge: Studies in Global Asias, Vol. 1, No. 1 (Spring 2015), pp. 78-97. LINK
Anthony Leung Po Shan, "Front and Voice, Two Sides of History - Samson Young's Field Exploration of the Sound of World War II," Art Appraisal Club, accessed 2015. LINK
Yeung Yang, "Art and What Is Missing in the Socially-engaged," Art Review Hong Kong 1, (Oct 2016). LINK
Eldad Tsabary, “Improvisation as an Evolutionary Force in Laptop Orchestra Culture,” Critical Studies in Improvisation, Vol. 11, nos. 1-2 (2016). LINK
Lucy Cotter, “Sound as Knowledge: A Dialogue with Samson Young,” Journal of Fine Art Research, 2(1): 4, (Dec 2017), pp. 1 - 7. LINK
Doryun Chong, “Failed Aspiration,” in Songs for Disaster Relief: A Mixtape, eds. Ying Kwok and Sonia So, (Hong Kong: M+, 2017), pp. 15 - 18. LINK
Seth Kim-Cohen, “the sound canon of Samson Young,” in Songs for Disaster Relief: A Mixtape, eds. Ying Kwok and Sonia So, (Hong Kong: M+, 2017), pp. 19 - 34. LINK
Anthony Leung Po Shan, “Yellow in C Major: Samson Young’s Perceptual Cutting,” in Songs for Disaster Relief: A Mixtape, eds. Ying Kwok and Sonia So, (Hong Kong: M+, 2017), pp. 35 - 42. LINK
Ying Kwok, “Knowing the Unknown: Samson Young’s Artistic Practice,” in Songs for Disaster Relief: A Mixtape, eds. Ying Kwok and Sonia So, (Hong Kong: M+, 2017), pp. 43 - 46. LINK
Christoph Cox, “Phonography: Samson Young’s Sonic Art,” in Songs for Disaster Relief: A Mixtape, eds. Ying Kwok and Sonia So, (Hong Kong: M+, 2017), pp. 135 - 146. LINK
Godfre Leung, “Places that are not a place,” in It’s a heaven over there, ed. Godfre Leung, (Vancouver: Centre A, 2019), pp. 1 - 12. LINK
Qinyi Lim, “Practicing De-westernization in the midst of post-colonial Hong Kong,” in It’s a heaven over there, ed. Godfre Leung, (Vancouver: Centre A, 2019), pp. 29 - 36. LINK
Alexander Rehding, “Undisciplined thoughts on Samson Young’s Art,” in Real Music, eds. Tessa Giblin and Charlotte Day, (Edinburgh: Talbot Rice Gallery; Melbourne: MUMA; and London: Koenig Books, 2019), pp. 8 - 16. LINK
Alexandra Chang, “Residual resonances: the work of Samson Young,” in Real Music, eds. Tessa Giblin and Charlotte Day, (Edinburgh: Talbot Rice Gallery; Melbourne: MUMA; and London: Koenig Books, 2019), pp. 53 - 61. LINK
Joel Stern, “Mute is not silence: Samson Young’s Muted Situations,” in Real Music, eds. Tessa Giblin and Charlotte Day, (Edinburgh: Talbot Rice Gallery; Melbourne: MUMA; and London: Koenig Books, 2019), pp. 107 - 115. LINK
Orianna Cacchione, “Samson Young: Silver moon or golden star, which will you buy of me?” in Silver moon or golden star, which will you buy of me, ed. Orianna Cacchione, (Chicago: University of Chicago Press, 2019), pp. 7 - 22. LINK
G. Bouglas Barrett, “Unhearing Utopia : Samson Young's Utopia trilogy as musical contemporary art,” in Silver moon or golden star, which will you buy of me, ed. Orianna Cacchione (Chicago: University of Chicago Press, 2019), pp. 23 - 34. LINK
Seth Kim-Cohen “Messy, Self-Contradictory, Uncomfortable, and Complicated,” in Silver moon or golden star, which will you buy of me, ed. Orianna Cacchione (Chicago: University of Chicago Press, 2019), pp. 35 - 48. LINK
Alan Licht, Sound Art Revisited (New York: Bloomsbury, 2019), pp. 225 - 227. LINK
Taylor Twadelle, “Sound, Embodiment and Displacement: Listening to Borders in the Art of Samson Young,” (2020). LINK
Hentyle Yapp, “For Those Minor in and to China: Protests in Hong Kong and Samson Young in Venice,” in Minor China, (Duke University Press, 2021), pp. 208 - 222. LINK
Damien Charrieras and Francois Mouillot, “Interview with Samson Young,” in Fractured Scenes: Underground Music-Making in Hong Kong and East Asia, eds. Damien Charrieras and Francois Mouillot, (Singapore: Palgrave Macmillan. 2021), pp. 109 - 119. LINK
Cathy Lane, “Samson Young,” in Sound arts now, eds. Cathy Lane and Angus Carlyle, (Devon: Uniform Books, 2021), pp. 191 - 201. LINK
Orianna Cacchione, “Reasonable music for nervous times,” in Reasonable Music, eds. Lucas Morin and Dawn Ross, (Dubai: Art Jameel, 2021). LINK
Andrea Riemenschnitter, “Unleashing the Sounds of Silence: Hong Kong’s Story in Troubled Times,” Global Storytelling 1(1), (Oct 2021), pp. 29 - 51. LINK LINK
Jon Solomon and Lu Pan, “Bordering Hong Kong: Towards a heterotopic ‘elsewhere’”, Journal of Contemporary Chinese Art 8 (1), (2021), pp. 3 - 12. LINK,
Seth Kim-Cohen, “Against a falling fabric,” in Oxford Handbook of Sound Art, eds. Jane Grant, John Matthias and David Prior, (New York: Oxford University Press, 2021). LINK
Vennes Cheng, “The Fleeting Border of Hongkongness,” Hong Kong Studies 3(2), (2023). LINK LINK
Brandon Fansworth & Samson Young, “Pockets of Obscure Skills - Samson Young Intervierwed by Brandon Farnsworth,” in New Music and Institutional Critique, eds. Brandon Fansworth & Christian Grüny, (New York: Springer, 2024). LINK
Michael Maizels & Alexander Rehding, “Muted Situations,” in Bringing forth the new: visual art and the world of contemporary China, (New York: Bloomsbury, 2024). LINK
2025
Thomas Girst, “Does Marcel Duchamp Still Matter.” LINK LINK
Artnet news & Weltkunst, March 1, 2025.
2024
常山山, “循環愉悅的環形幻視 — 評楊嘉輝 96 和弦空間變奏.” LINK
Art Review (China edition), Jan 3, 2024.
”Nam June Paik Art Center Announces Its 2024 Exhibition Line-up for 40th Anniversary of Good Morning Mr. Owell.” LINK
K-Artnow, Feb 4, 2024.
侯瀚如 (Hou Hanru), “美妙的失控 (Beautifully Out of Control.)” LINK
Art Review (China edition), February 23, 2024.
Lucija Sutej, ”In Conversation: Samson Young.” LINK
INFRA, March 11, 2024.
”Insights: Hong Shu-ying” LINK
Offstage, March 27, 2024.
”Contemporary artists honor Nam June Paik in two high-tech exhibitions.” LINK
Korea JoongAng Daily, March 30, 2024.
”#425 On the radar.” LINK
Relevant Tones, May 6, 2024.
成家桢, “以声为媒，随西岸美术馆清醒梦境开启声音的旅程” LINK
The Art Journal, May 20, 2024.
btr, “听路 - 上海多伦现代美术馆” LINK
Artforum China Edition, June 2024.
”Artist list for 14th Mercosur Biennial announced.” LINK
Art Review, November 19, 2024.
Catherine Garcia, “Explore new worlds this winter at these 6 enlightening museum exhibitions.” LINK
The Week, 27 December, 2024.
2023
Bana Bissat, “Muting Expectations.” LINK
Sound of Life, Jan 13, 2023.
”Shows to See in Early February, 2023.” LINK
Art Asia Pacific, Feb 3, 2023.
”Hong Kong turns heads with Asian LGBTQ art show.” LINK
Nikkei Asia, Feb 15, 2023.
Brady Ng, ”Review: Myth Makers — Spectrosynthesis III." LINK
Artomity, Feb 17, 2023.
Katherine Adams, “Samson Young Interviewed by Katherine Adams.” LINK
BOMB Magazine, Feb 22, 2023.
Aaina Bhargava, “Noteworthy Shows in Hong Kong Autumn / Winter ’23 Edition.” LINK
Artomity, Feb 24, 2023.
林漢堅, “當下變成歷史 生活變成神話.” LINK
Inmedia, April 3, 2023.
Sophie Rose, “New York: Samson Young.” LINK
Art Asia Pacific, May 1, 2023.
Nicole Tan, “It’s ‘another world’: a part-theatre, part-art installation in Hong Kong offers visitors a multisensory experience to wander through.” LINK
South China Morning Post, July 19, 2023.
Lynn Hatem, “Exploring the Ethereal Realm of The Travellers and The Listeners.” LINK
Beijing Times, July 22, 2023.
Andrew Eglinton and Mika Eglinton, “Kyoto Experiment explores fluidity of culture with performance works.” LINK
The Japan Times, September 29, 2023.
”Grusel-Kunst: Installationen von Rebecca Ackroyd und Videos von Samson Young in der Kestner Gesellschaft.” LINK
HAZ, November 3, 2023.
Cathy Fan, “Shanghai Art Week Returns With a Slew of Must-See Shows From Ugo Rondinone to Zeng Fhanzi.” LINK
Artnet News, November 6, 2023.
Srimoyee Bagchi, “Art Review: The ways of seeing sound.” LINK
The Telegraph, November 11, 2023.
陈嘉莹, “音与觉: 杨嘉辉的空间变奏.” LINK
周末画报 (Modern Weekly Style), November 11, 2023.
Bettina Maria Brosowsky, “Samson Young in der Kestner Gesellschaft Hannover: Im Raum der klingenden Farben.” LINK
TAZ, December 2023.
2022
Iain Akerman, “This AI-powered show turns text into all kinds of art.” LINK
WIRED, Jan 18, 2022.
Bana Bissat, “7 Iconic Works Of Sound Art To Explore.” LINK
Sound of Life, March 10, 2022.
Lydia Medeiros, ”The Dubai Weekend Guide: Art Dubai, NFT Workshops, and More.” LINK
Savoir Flair, March 10, 2022.
Muhammad Yusuf, ”Jameel Arts Centre Dubai hosts works of Samson Young and Taus Makhacheva.” LINK
Gulf Today, April 26, 2022.
“Folio: Samson Young’s What the Lighthouses Taught Me.” LINK
The Architectural Review, 5 May, 2022.
Sherouk Zakaria, “Mental health awareness in UAE: AI-powered exhibition turns text into art.” LINK
Khaleej Times, 6 May, 2022.
Cynthia Chou, “5 Sound Artists You Need to Know in 2021” LINK
Sound of Life, May 31, 2022.
”Here Is a Complete List of Every Artist Who Has Appeared in Multiple Biennials Over the Past Five Years.” LINK
Artnet news, June 9, 2022.
Juliana Liu, “Hong Kong: 25 years on.” LINK
BBC World Service, The Cultural Frontline, 2 July, 2022.
Balasz Takac, “These Contemporary Sound Artists Are Changing the Soundscape of Art .” LINK
Widewalls Magazine, 2 July, 2022.
Park Han-sol, “Shows to look out for during Frieze and Kiaf Seoul.” LINK
The Korea Times, 1 September, 2022.
Mabel Lui, “ Review: Hong Kong artist uses ambient sounds and white noise to ask: who controls what we hear in our daily lives?” LINK
South China Morning Post, 1 October, 2022.
Anthony Yung, “The zen master who wears Carhartt.” LINK
Flash Art, 22 October, 2022.
Ophelia Lai, “Review: Music for selective hearing, or assisted living.” LINK
Art Review Asia, Winter 2022.
Xenia Benivolski, “Sonic Acts Biennial 2022.” LINK
The Wire, December 2022.
Godfre Leung, “Vancouver Photohistory and the Politics of Disappearance.” LINK
C Magazine, 14 December, 2022.
Chitralekha Basu, “Tradition and the individual talent.” LINK
China Daily, 30 December, 2022.
Enid Tsui, “LGBTQ art exhibition at Tai Kwun Contemporary in Hong Kong a celebration of Asian queer identity.” LINK
South China Morning Post, 30 December, 2022.
2021
“This Year Has Deranged My Senses: 12 Artists on How the Pandemic Has Changed the Way They Approach Their Work.” LINK
Artnet News, March 11, 2021.
Tessa Solomon, “Samson Young’s Sonic Explorations Reveal Unseen Histories of Territories, Conflict, and Separation.” LINK
Artnews, April 19, 2021.
Tessa Moldan, “Gallery Weekend Berlin: Shows to See.” LINK
Ocula, April 27, 2021.
Alexandra Germer & Colin Lang, “Gallery Weekend Berlin 2021.” LINK
Spike Magazine, April 2021.
Lisa Movius, “Artists Samson Young, Angela Su and Lee Kit donate works to fundraise for Hong Kong dealer Anthony Tao Xinshu's hospital treatment.” LINK
The Art Newspaper, May 21, 2021.
”Art Basel HK Post-Script: The Best Recent Exhibitions in Asia.” LINK
Artvisor, May 26, 2021.
Josefine Wikström, “Feeling, Hearing, Seeing.” LINK
Kunstkritikk, June 4, 2021.
Rory Mitchell, “Advisory Selections from Art Basel OVR: Portals.” LINK
Ocula, June 15, 2021.
Alexandra Peers, “As Performa Returns, Here Are Highlights From the First Two Decades of New York’s Sometimes Messy, Always Memorable Performance Art Biennial.” LINK
Artnet News, October 7, 2021.
”Utopian Imaginations: Samson Young.” LINK
First Edition, December, 2021. [Podcast, 51:46.]
Daniele Milvio, “Best of 2021.” LINK
Flash Art, December 22, 2021.
2020
Minh Nguyen, “Silver Moon or Golden Star, Which Will You Buy of Me?”
Art Asia Pacific, January 2020.
Vandana Kalra, “Hong Kong-born artist Samson Young on transcribing sonic compositions into graphic notations to discuss global concerns.” LINK
The Indian Express, January 2, 2020.
Chanon Kenji Praepipatmongkol, “Samson Young.” LINK
Artforum, February 2020.
Ross Simonini, “Dawn Kasper, Samson Young, and Susan Cianciolo.” LINK
ArtReview, Subject Object Verb, February 18, 2020. [Podcast, 34:00.]
Tessa Solomon, “With His Star on the Rise, Artist Samson Young Becomes First Winner of M+ Museum’s Sigg Prize.” LINK
Artnews, May 13, 2020.
何桂嬋, “楊嘉輝 探索邊緣的聲音 真實的力量” LINK
明周文化, May 21, 2020.
Caroline Ha Thuc, “Samson Young: Expanding The Field of Music.” LINK
CoBo Social, June 1, 2020.
劉菂, “展評：續章” LINK
藝術論壇, June 12, 2020.
Pamela Wong, “Artstrology: Cancer 2020, Home Sweet Home.”
Art Asia Pacific, June 23, 2020.
傅譯文, “楊嘉輝：聆聽只是意願 消音不是沉默“ LINK
藝術新聞, June 26, 2020.
Barbara London, “Listen to This! Sound Art Reflections.” LINK
Flash Art, Fall 2020.
Robert Nelson, “If conceptual art is 'displayed' in a closed gallery, does it matter?” LINK
Sydney Morning Herald, October 5, 2020.
Tessa Solomon, “11 Essential Sound Artworks, from Reviled Noise Orchestras to Protest-Minded Installations.” LINK
Artnews, October 8, 2020.
Andrew Stephens, “Hearing the sound of dragons’ breath in Real Music.” LINK
Art Guide Australia, October 20, 2020.
Enid Tsui, “Noted Hong Kong art collectors make large donation of works to new museum M+, mostly by local creators.” LINK
South China Morning Post, December 10, 2020.
Clément Dirié, “Samson Young reflects on his artistic trajectory and Hong Kong’s evolving art scene” LINK
Art Basel, December 19, 2020.
2019
Barbara Pollack, “Stepping Forward, Stepping Backward: 12th Shanghai Biennale Examines a World in Turmoil” LINK
Artnews, January 3, 2019.
Richard Lord, “‘Imagination doesn’t have to wait’: how a Hong Kong sound artist found his musical feet” LINK
South China Morning Post, January 27, 2019.
Kerstin Hallmann, “Such Sweet Thunder.” LINK
KUNST+UNTERRICHT, February, 2019.
Petra Giffard, “Samson Young: It’s a heaven over there” LINK
The Source, March 5, 2019.
Enid Tsui, “Physics meets art in the sounds of the impossible instruments at Samson Young exhibition” LINK
South China Morning Post, April 1, 2019.
王慰慰, “楊嘉輝”
藝術論壇, April 11, 2019.
“On the Dangers of Sound” LINK
Contra, May, 2019.
Xuan Wei Yap, “Samson Young Wins 2019 Prix Ars Electronica Award of Distinction.”
Art Asia Pacific, May 23, 2019.
Yang Yeung, “Samson Young’s Instrumentation— a review.” LINK
International Association of Art Critics Hong Kong, June 21, 2019.
Linnea Semmerling, “‘Hearing is a condition that we aspire to’ - on the work of Samson Young - Reflections #12.” LINK
Metropolis M, July 10, 2019.
Jonathan Jones, ”Edinburgh art festival review – from the sublime to the meaningless.” LINK
The Guardian, July 26, 2019.
Gareth Harris, ”Three to see: Edinburgh Art Festival.” LINK
The Art Newspaper, July 26, 2019.
Figgy Guyver, “Seven Highlights from the Edinburgh Art Festival.” LINK
Frieze Magazine, July 26, 2019.
David Kattle, “Edinburgh Festival 2019 reviews: Below the Blanket / Samson Young: Real Music.” LINK
The Art Desk, August 6, 2019.
Neil Cooper, “Review: Real Music.” LINK
The List, August 19, 2019.
Christoph Cox, “Preview, Samson Young: Silver Moon or Golden Star, Which Will You Buy Of Me?” LINK
Artforum, September 2019.
Josh Feola, “Global Ear: Hong Kong: The region’s experimental scene rallies against authoritarianism.” LINK
The Wire Magazine, September 2019.
Justin Ramsey, “Review: It’s A Heaven Over There.” LINK
Artomity Magazine, September 4, 2019.
Susan Mansfield, ”Art reviews: Cindy Sherman | Samson Young | James Richards | Hannah Tuulikki.” LINK
The Scotsman, September 4, 2019.
Katherine McMahon, ”The Importance of Being Vigilant: Hong Kong Artists Speak to Turmoil at Home.” LINK
Artnews, September 4, 2019.
Elliat Albrecht, “Sonics and Politics.” LINK
The Seen, September 19, 2019.
Moses Hubbard, “6 artworks that teach us about borders.” LINK
Sleek, October 15, 2019.
Alina Kim, “Samson Young: Silver Moon or Golden Star, Which Will You Buy of Me?” LINK
The Chicago Moon, October 31, 2019.
Margaret Carrigan, “Performa 19 to take viewers on a utopian journey back to the Bauhaus.” LINK
The Art Newspaper, October 31, 2019.
Gökcan Demirkazik, “Steffani Jemison and Samson Young.” LINK
Artforum, November 2019.
Erica N. Cardwell, “‘Engaging with the Thing’: The Hard Work of Performa 19.” LINK
Frieze Magazine, December 9, 2019.
2018
Joleen Loh, “Affective mediations and the politics of sound: Samson Young in conversation with Joleen Loh.” LINK
ISSUE, January, 2018.
黃子翔, "楊嘉輝 威尼斯後"
Headline Daily, February 8, 2018.
陳奉京, “楊嘉輝賑災專輯威尼斯歸來 新作回應六四後港人移民潮” LINK
香港01, February 10, 2018.
Enid Tsui, "Hong Kong Venice Biennale show comes to city’s M+ Pavilion, and amplifies history of charity songs and concerts with extra exhibits." LINK
South China Morning Post, February 13, 2018.
張夢薇, “M+展亭舉行「楊嘉輝的賑災專輯世界巡迴演」” LINK
文匯報, February 20, 2018.
李夢, "入場聆聽《鐘為誰鳴》之前，你需要知道的三件事"
The Stand News, February 21, 2018.
Yuling Zhong, “When Contemporary Art Practices Meet Ethnographic Research in Chinese Society.” LINK
Yishu, March/April, 2018.
甄挺良, ”看得見的音樂 太古坊Artistree展覽掀藝術月頭炮“ LINK
香港01, March 2, 2018.
可以看的音樂展 明日揭幕！入場前你需要知道的四件事"
橙新聞, March 2, 2018.
Linda Morris, "Highlights of the Sydney Biennale." LINK
The Sydney Morning Herald, March 9, 2018.
Notating Beauty That Moves - Music at an Exhibition 為太古地產藝術月揭開序幕" LINK
文匯報, March 10, 2018.
Andrew Frost, "Sydney Biennale review - from Ai Weiwei's refugee journey to silent orchestras." LINK
The Guardian, March 16, 2018.
Felicity Fenner, "Sydney Biennale modestly comes of age with moments of curatorial brilliance." LINK
The Conversation, March 16, 2018.
呂珠玲, “改歌詞玩消音搞裝置 楊嘉輝玩轉賑災歌”
Apple Daily, March 17, 2018.
"Art For All: 7 Shows To See In Hong Kong's Non-Profit Art Spaces." LINK
Hong Kong Tatler, March 19, 2018.
"雙年展載譽歸來：藝術家楊嘉輝《賑災專輯世界巡迴演》展覽"
Harper's Bazaar Hong Kong, March 21, 2018.
Jan Dalley, "Galleries bring out their best artists for Art Basel Hong Kong." LINK
Financial Times, March 23, 2018.
Diana d'Arenberg, "The Lowdown: shows to see during Hong Kong Art Week." LINK
Ocula, March 23, 2018.
Caroline Goldstein, "Beyond the Fair: Your Go-To Guide to Gallery and Museum Shows During Art Basel Hong Kong." LINK
Artnet News, March 27, 2018.
Hannah McGivern, "Samson Young’s musical parlour soothes and disturbs in equal measure." LINK
The Art Newspaper, March 28, 2018.
Gareth Harris, "Samson Young at M+ Pavilion — ‘music can be very dangerous.’" LINK
Financial Times, March 30, 2018.
Gareth Harris, "What Samson Young did next—the artist will unveil a new sound piece for the Guggenheim New York." LINK
The Art Newspaper, April 3, 2018.
黃正軒, “紐約古根漢中港藝術家聯展 策展人：為明日世界帶來啟示” LINK
香港01, April 9, 2018.
黃正軒, “本地藝術家以動畫與裝置 在紐約古根漢奏出未來狂想曲” LINK
香港01, April 17, 2018.
Rose Vickers, "Mother Tongue." LINK
Mousse Magazine, 63, April – May, 2018.
"The Artsy Vanguard: Newly Established." LINK
Artsy, April 30, 2018.
Richard James Havis, "Five Chinese artists question future of technology in New York Guggenheim exhibition." LINK
South China Morning Post, May 20, 2018.
Tina Xu, "A Modern Take on an Old Question at the Guggenheim."
Blouin Artinfo, June 13, 2018.
Jacob Kopcienski, "Eclectic and Multifaceted: Olivia De Prato’s Streya has something for everyone." LINK
I CARE IF YOU LISTEN, June 29, 2018.
楊天帥, "紐約古根漢中國藝術展 「單手拍掌」，以藝術挑戰技術化的未來？"
立場新聞, July 9, 2018.
Adrian Shaw, "Art Review: Mountain of Tongues at Backlit Studios" LINK
Leftlion, July 25, 2018.
”香港藝術中心首次頒授「藝術榮譽獎」"
國際時刊, July 25, 2018.
陳玨明, "首屆藝術榮譽獎 李惠珍、楊嘉輝摘冠"
台灣醒報, July 26, 2018.
David Xu Borgonjon, “One Hand Clapping at the Guggenheim Museum, New York.” LINK
Ocula, 31 August, 2018.
”Samson Young – The highway is like a lion’s mouth.” LINK
Digicult, November 2018.
”Art Review Asia’s pick of exhibitions to see this winter: Part I.” LINK
Art Review Asia, November 2018.
Annie Jael Kwan, “Shamanistic Artistry: Highlights from Ghost: 2561.”
Art Asia Pacific, November 08, 2018.
陳立, “楊嘉輝談近期倉作” LINK
藝術論壇, November 27, 2018.
Barbara Kruger, “藝術家的藝術家“ LINK
藝術論壇, December, 2018.
Harry Burke, “Seen in Shanghai: What Not to Miss Right Now in China’s Contemporary Art Capital.” LINK
Vulture, December 2018.
周回, “楊嘉輝：哪裡才會是個天堂” LINK
立場新聞, December 17, 2018.
”This artist examines how we as a society adapt in the face of rapid progress - Samson Young’s ‘The highway is like a lion’s mouth.” LINK
Art Press Asia, December 24, 2018.
Maya Kramer, “Shanghai Biennale 2018: ‘Proregress’ Goes in Circles.” LINK
Cobo Social, December 26, 2018.
Christopher Halls, “A year of sustained high notes for classical music in Hong Kong.” LINK
South China Morning Post, December 28, 2018.
2017
Natalie Hegert, "Sustain and Resonate: Sound Artist Samson Young at Kunsthalle Düsseldorf." LINK
Mutual Art, January 11, 2017.
Claire Wilson, "Hong Kong sound artist Samson Young at Kunsthalle Düsseldorf in Germany."
Art Radar, January 16, 2017.
Adam White, "All at sea: Stowaway artists turn life on the ocean into art." LINK
CNN, February 13, 2017.
Peter Meanwell, "Sound Control." LINK
Frieze Magazine, February 15, 2017.
Alexandra Seno, "Samson Young sounds out the Venice Biennale." LINK
The Art Newspaper, March 23, 2017.
Gregor Quack, "Sound and Fury." LINK
Artforum, April 2017.
"The Venice Questionnaire #11 – Samson Young." LINK
Art Review, April 13, 2017.
Mark Rappolt, "Samson Young: Ricochet." LINK
Art Review, May 2017.
Ysabelle Cheung, "Samson Young: Chasing Frontiers." LINK
Art Asia Pacific, May 2017.
Endi Tsui, "Hong Kong's 2017 Venice Biennale show inspired by charity singles and the bad side of trying to do good." LINK
South China Morning Post, May 3, 2017.
Grace Gut, "楊嘉輝帶去威尼斯雙年展的三首歌"
The Stand News, May 10, 2017.
Endi Tsui, "Venice Biennale show of Hong Kong’s Samson Young explores the ground between utopia and dystopia." LINK
South China Morning Post, May 11, 2017.
Javier Pes, Gareth Harris, "Artists strike a chord as music fills the Venice Biennale." LINK
The Art Newspaper, May 11, 2017.
Richard Vine, "Choose Your China: Three Pavilions in Venice." LINK
Art in America, May 19, 2017.
張煒森, "藝評．威尼斯視藝雙年展 聲音裝置探問世界觀"
Mingpao Weekly, May 22, 2017.
C. A. Xuan Mai Ardia, "11 national pavilions and exhibitions to see at the 57th Venice Biennale in 2017."
Art Radar, May 23, 2017.
Alma Tischler Wood, "We Are the World." LINK
Sublime, May 23, 2017.
陳奉京, "威尼斯雙年展香港代表楊嘉輝（一）：八十年代的方式已過時" LINK
香港01, May 23, 2017.
陳奉京, "威尼斯雙年展香港代表楊嘉輝（二）：不要把孩子與髒水都倒掉" LINK
香港01, May 25, 2017.
Cristina Sanchez-Kozyreva, "Five of the best from Asia at Venice Biennale."
Asia Times, May 28, 2017.
Donna Schons, "The Artist Making Spooky Appropriations of Pop Songs in Venice."
Sleek Magazine, May 31, 2017.
Philippa Snow, "Samson Young."
Wax 8, May 2017.
Caroline Ha Thuc, “Samson Young: Songs for Disaster Relief.” LINK
Artpress, May 2017.
Giulia Gregnanin, "Fuori Biennale / 57th Venice Biennale." LINK
Flash Art International, June 23, 2017.
Heinz-Norbert Jocks, "57. Biennale Venedig: Gespräche, Samson Young" LINK
Kunstforum, June 2017.
Louisa Buck, Jane Morris, "Venice Biennale: triumphs and talking points." LINK
The Art Newspaper, June 12, 2017.
Sophie Harris, "10 of the brightest stars of Manchester international festival 2017." LINK
The Guardian, June 13, 2017.
Gareth Harris, "Moca Taipei announces major LGBTQ show as Taiwan set to legalise gay marriage." LINK
The Art Newspaper, June 19, 2017.
小米, "龐雜繁響的迷離恍惚 「楊嘉輝的賑災專輯」- 香港在第57屆威尼斯視藝雙年展" LINK
△志, June 19, 2017.
Gareth Harris, "Three to see: Manchester International Festival." LINK
The Art Newspaper, June 30, 2017.
Gamze Kantarcıoğlu, "Lullabies for Bad Fate: Samson Young" LINK
Based Istanbul, July 1, 2017.
Andrew Nunes, "You'll Never Hear 'We Are the World' the Same Way." LINK
Creators, Vice July 12, 2017.
Tom Emery, "Review: Manchester International Festival."
Art Review, July 13, 2017.
Artomity Magazine, “Samson Young.” LINK
Artomity, July 19, 2017.
Jia Dong, “21st Biennale of Sydney Announces Title and Second List of Participating Artists.”
ArtAsiaPacific, July 19, 2017.
“Samson Young: Songs for Disaster Relief.” LINK
Artomity, July 21, 2017.
Grace Gut, “無力吶喊，有誰共鳴？談Samson在威尼斯的賑災歌” LINK
The Stand News, July 21, 2017.
Katherine McMahon, "Habitat: Studio Visits With Artists in Hong Kong." LINK
ARTnews, July 24, 2017.
Yang Yeung, “Samson Young: Songs for Disaster Relief.” LINK
CoBo, July 26, 2017.
Leanne Mirandilla, "Taiwan to host LGBTQ show following same-sex marriage ruling." LINK
CNN, August 29, 2017.
Yeewan Koon, “What is the Sound of Failed Aspirations? Samson Young’s Songs for Disaster Relief.” LINK
Yishu, September/October, 2017.
Elke Buhr, “Der Klang der Raketen.” LINK
Monopol, September 7, 2017.
Enid Tsui, “Art in the Bar – cocktails served with video art in Hong Kong nightspots.” LINK
Post Magazine, September 9, 2017.
Junni Chen, “A look at Hong Kong 20 years after the handover: Hong Kong artists at CFCCA, Manchester.”
Art Radar, September 10, 2017.
胡朝聖, “光‧合作用 亞洲當代藝術同志議題展” LINK
China Times, September 13, 2017.
Brian Hioe, "Review: Spectrosynthesis." LINK
New Bloom, September 16, 2017.
Ingrid Chu, “A conversation with Samson Young.” LINK
Ocula, September 20, 2017.
潘宛沚, “亞洲首個LGBTQ藝術展 中港台同志的美麗與哀愁” LINK
香港01, September 23, 2017.
Radio Papesse, “Samson Young - Songs for Disaster Relief.” LINK
Radio Papesse, September, 2017.
"Where Art Meets Cultural History." LINK
Fresh Art International, September 27, 2017.
Oliver Giles, "Art Talk: Samson Young On His Sound Drawings."
Hong Kong Tatler, October 3, 2017.
"楊嘉輝再與小交合作譜新曲 香港藝術節門票明日開售"
The Stand News, October 10, 2017.
Linnea Semmerling, "Sing A Song. LINK
Metropolis M, October / November, 2017.
Vivian Chui, "Songs for Disaster Relief, An Interview with Samson Young."
Art Paper, Fall 2017.
Francesca Tarocco, "New Cities, Old Troubles." LINK
Frieze Magazine, November 5, 2017.
Gareth Harris, "Guggenheim commissions new works from five Chinese artists." LINK
The Art Newspaper, December 7, 2017.
Samson Young and Lucy Cotter, "Sound as Knowledge: A Dialogue with Samson Young" LINK
MaHKUscript: Journal of Fine Art Research, December 14, 2017.
陳奉京, 潘宛沚, 黃正軒, 劉力田, 陳浚銘, "2017年文化關鍵詞（下）：共居、打卡、楊嘉輝，誠品、港漫與嘻哈" LINK
香港01, December 25, 2017.
馮安怡, “高速旋轉病人、強迫水療、關禁閉…他踏入昔日精神病隔離島，直擊人類面對癲狂的盲目”
澎湃新聞, December 28, 2017.
2016
Nara Shin, "Interview: Samson Young." LINK
Cool Hunting, January 5, 2016.
Robin Peckham, "Composing at a distance." LINK
LEAP, March 2016.
Stephen Short, "Local Artist Samson Young Takes Us Through His Art Basel in Hong Kong Multimedia Walk." LINK
#Legend, March 2016.
"Samson Young will present a new public artwork during Art Basel in March 2016." LINK
My Art Guide, March 2016.
Wendy Wo, "隨記 — 楊嘉輝、鄧國騫、關尚智"
The Stand News, April 2016.
Samson Young and others, "Artist and Identity." LINK
Artforum, Summer 2016.
Hili Perlson, "10 Unmissable Works at Art Basel Unlimited 2016." LINK
Artnet News, June 14, 2016.
Vivienne Chow, "At Art Basel’s Oversized Unlimited Sector, Under-Recognized Artists Rub Shoulders with the Biggest Names in Art." LINK
Artsy, June 14, 2016.
Anna Russell, "Crowds, Caution at Art Basel." LINK
Wall Street Journal, June 16, 2016.
Anna Brady, "Art Basel strives to look beyond the exclusive world of the fair." LINK
Apollo Magazine, June 17, 2016.
Nina Zimmer, "Expert eye: Nina Zimmer's pick of Art Basel."
The Art Newspaper, June 17, 2016.
David Batty, "Art Basel: a dose of reality with exhibits on snooping and migration." LINK
The Guardian, June 18, 2016.
Vivienne Chow, "Collectors snap up works at Swiss fair Art Basel while Asian artists, including Hong Kong’s Samson Young feature." LINK
SCMP, June 19, 2016.
Grace Gut, "楊嘉輝巴塞爾展品獲外媒選入十大 香港越南船民經驗供歐洲借鏡"
The Stand News, June 21, 2016.
Michele Chan, "From Samson Young’s sonic canon to Liu Yiqian’s new Richter – Art Basel 2016 round-up."
Art Radar, June 22, 2016.
Ari Ackermans, "Hints of the Real World in Art Basel’s Elitist Bubble." LINK
Hyperallergic, June 22, 2016.
Stephanie Bailey, "A BLENDED MASS: A Report from Art Basel 2016." LINK
Ocula, June 24, 2016.
Cristina Sanchez-Kozyreva, "Review: Samson Young." LINK
Frieze Magazine, July 06, 2016.
Christie Lee, "Orchestrations: Samson Young’s version of Utopia." LINK
Randian, July 07, 2016.
Ben Eastham, "Apollo 40 Under 40 Asia Pacific: Samson Young." LINK
Apollo Magazine, August 30, 2016.
Li Zhenhua, "Only In Compositional Terms." LINK
Flash Art International, 310, September – October 2016.
Hans Ulrich Obrist, "Booming." LINK
Mousse Magazine, 55, September 2016.
Barnamala Roy, "The Playful Visionary." LINK
Kindle, September 01, 2016.
Avantika Bhutan. "Framing the note." LINK
Live Mint, September 9, 2016.
"Mastery of Language Affords Remarkable Power."
Platform, September 2016.
Ria Sardar, "Quirky and ingenious: Hong Kong artist Samson Young at Experimenter Gallery, Kolkata."
Art Radar, September 19, 2016.
Aveek Sen, "On Drawing Sound."
The Telegraph India, October 1, 2016.
"Samson Young's Mastery of Language". LINK
Verve Magazine, October 4, 2016.
Natasha Jeyasingh, "Frieze 2016 Day 4: Life in the Movies." LINK
Architectural Digest, October 10, 2016.
"Samson Young and Simon Fujiwara at Kunsthalle Düsseldorf." LINK
Mousse Magazine, December, 2016.
Barbara Geschwinde, "Europa-Premiere: Youngs Klangkunst in Düsseldorf" LINK
WDR, 16 December, 2016.
Caroline Ha Thuc, “Studio: Samson Young.” LINK
Artomity, No. 3, Winter, 2016.
2015
Marri Macklin, "Traditio ja nykyaika törmäävät kiinalaisessa tussitaiteessa."
Helsingin Sanomat, March 5, 2015.
Evelyn Lok, "Know your Hong Kong artists: Samson Young."
HK Magazine, March 5, 2015.
"Highlights from Art Central and Art Basel Hong Kong 2015."
Art Asia Pacific, March 14, 2015.
Ming Lin, "Art Basel Hong Kong." LINK
Art Agenda, March 16, 2015.
Vivienne Chow, "Hong Kong artists gather honours, attention at Art Basel and Art Central." LINK
South China Morning Post, March 18, 2015.
Amy Qin, "Art Basel Hong Kong: the Reviews Are In." LINK
The New York Times, March 18, 2015.
Siobhan Bent, "Artists to Watch at Art Basel Hong Kong 2015." LINK
Artspace, March 20, 2015.
Michele Chan. "Art Basel 2015: new calendar and format successful."
Art Radar, March 20, 2015.
Bong Miquiabas, "Art + Corporate Sponsorship." LINK
Forbes, March 20, 2015.
Wendy Wo, "The Imitation Game (Of Sound)."
The Stand News, March 25, 2015.
Gladys Wong, "「香港的聲音藝術不再只屬別人」專訪楊嘉輝"
The Stand News, May 4, 2015.
"前衛吃錯藥－楊嘉輝個展"
鉅亨時尚, May 11, 2015.
"前衛吃錯藥－楊嘉輝個展"
非池中, May 19, 2015.
歐陽辰遊、王聖惠, "暴動音符"
LaVie, June 2015.
Hannah McGivern, "The glittering prizes June 2015."
The Art Newspaper, June 2, 2015.
Tsao Yidi, "宝马艺术之旅得主杨嘉辉：声音艺术已经常态化"
The Art Newspaper Chinese Edition, June 21, 2015.
Ysabelle Cheung, "Abandoned Bunkers Become Unlikely Recording Studios." LINK
The Creators Project, August 5, 2015.
Regina Urban, "Was Glocken erzählen." LINK
Nürnberger Nachrichten, August 24, 2015.
吳嘉瑄, "南邊無戰事？《前衛吃錯藥》與台灣聲音藝術的再思考"
No Man's Land, September 2015.
Ingrid Chu, "An enquiry into aural histories and the transformative potential of sound" LINK
Kaleidoscope Asia, September 2015.
Sara Marcus, "Review: Samson Young, Team Gallery." LINK
Artforum, December 2015.
"Samson Young, Team Gallery." LINK
The New Yorker, December 2015.
Joe Bucciero, "Composing a Symphony of War with Instruments and Everyday Objects." LINK
Hyperallergic, December 9, 2015.
2014
Vanessa Yung, "Crossed Lines - The Liquid Borders Project 2012-2014." LINK
SCMP 48 Hours, April 10, 2014.
Reno Yang, "理論與實踐的共享空間" LINK
上海詮釋雜誌，May 2014.
林家維, "Artists Space Interplay."
號外，May 2014.
朱曉玢, "Archiving disappearing walls with sound (trans.)"
The Art Newspaper (Hong Kong Edition), May 2014.
Kevin Lin, "用聲音記錄邊界消融，用拼貼的音符與樂譜看見所有"
南方都市報，May 12, 2014.
雷安琪, "港解光影美藝"
星島日報，September 2, 2014.
"Fleeting Light"
Time Out Hong Kong, September 2014.
Federico Capitoni, "Performance musicali prendono corpo." LINK
Nova, 14 September, 2014.
Sara Mase, "Anatomy of a string quartet: transart e la misurazione dei parametri vitali per farne performance." LINK
Franz Magazine, September 15, 2014.
Heinrich Schwazer, "Gesamtdatenwerk." LINK
Tageszeitung, September 16, 2014.
Ian Youngs, "New wave of artists offer a fresh view of China." LINK
BBC News, September 26, 2014.
C. A. Xuan Mai Ardia, "UK’s largest exhibition of Chinese art at Asia Triennial Manchester – in pictures."
Art Radar, October 10, 2014.
Mia Gerdin, "Kinesiskt tuschmåleri på Nordiska akvarellmuseet." LINK
Sveriges Radios, October 16, 2014.
Mark Sheerin, "The spooky and the bold in the art of contemporary China."
The Art Desk, October 19, 2014.
2013
呂顏婉倩、王丹，“裝置看人生 聲音說故事 港台藝術家展 暴力與詩意”
大公報，January 15, 2013.
賈選凝，“楊嘉輝：為邊境線留下痕跡” LINK
Wen Wei Po, January 22, 2013.
James C. McKinley Jr., "Now Hear This: Works by Chinese Sound Artists."
New York Times, March 1, 2013.
Sylvia Tsai, "Incidents of Travel: Samson Young."
Art Asia Pacific, March 08, 2013.
"Blurring Borders with the Mainland."
Pipeline Magazine, March / April, 2013.
羅曉盈，“因腦維新族：新媒體藝術的華麗旅程”
99 藝術網，March 13, 2013.
Zoe Li, "Samson Young: Creating a Tristan Chord Earworm Using Nonsense Cantonese."
Blouin Artinfo, April 26, 2013.
照駿園，“楊嘉輝訪談”
藝術世間：噸半音樂，May 2013.
Karen Tsang, “新媒體面面觀”
The Art Newspaper (Hong Kong edition), June 2013.
江蔚賢，“Samson Young 聲音的藝術” LINK
太陽報，July 02, 2013.
江蔚賢，“聲藝達人 Samson Young” LINK
東方日報，July 10, 2013.
Asian Art Archive in America, "Transcript of Presentation by Samson Young." LINK
Asia Art Archive in American, July 2013.
Ellen Pearlman, "Participating in Sound, Interacting With Noise." LINK
Hyperallergic, August 14, 2013.
Elizabeth Brown, “Memorizing the Tristan Chord: Hong Kong sound artist Samson Young – Interview."
Art Radar Asia, September 2013.
Vanessa Yung, "Arts preview: Electric Company provides mobile laptop music.” LINK
SCMP 48 Hours, October 17, 2013.
"Electric Company: An Orchestra of Laptops."
Time Out Hong Kong, October 2013.
Sam Gaskin, "REVIEW: Shanghai’s West Bund 2013 Biennale."
Blouin Artinfo, October 22, 2013.
Hu Bei, "Revolutions per minute." LINK
Global Times, November 13, 2013.
Andrew Stooke, "Shanghai: Art hub or terminal? An overview of the city’s contemporary art scene."
Art Radar Asia, November 22, 2013.
Clarissa Sebag-Montefiore, "West Bund Biennale of Architecture and Contemporary Art."
Time Out Shanghai, December 10, 2013.
2012
“戲棚展 ╳ M+大戲院開催”
Milk Magazine, January 09, 2012.
陳筠而、賈勝楓，“為粵劇換上新衣”
Ming Pao Weekly, January 14, 2012.
勞雅文，“萬物皆樂器”
Wen Wei Po, February 29, 2012.
Katie Hunt, "Hong Kong emerges as Asia's art capital." LINK
BBC News, March 2, 2012.
Katie Hunt, "Hong Kong's Art Scene Takes Off."
Sotheby's At Auction, March 2, 2012.
陳筠而，“表演缺陷美”
Ming Pao Weekly, March 10, 2012.
Maddie Gressel, "Three Ring Circuits"
Time Out Hong Kong, March 14, 2012.
Evan Burke, "Ecstatic Music Festival @ Merkin Hall." LINK
I Care If You Listen, April 11, 2012.
"Simply the best - 40 under 40"
Perspective Magazine, May 2012.
Edmund Lee, "Know your Hong Kong artists"
Time Out Hong Kong, May 9, 2012.
林喜兒，“楊嘉輝：喜歡實驗的人” LINK
信報，July 17, 2012.
Kathy Zhang, "Why Do Trees Grow Till the End?"
Art Asia Pacific, July & August 2012.
Caroline Ha Thuc, "How Art Reshapes Our World: Hong Kong.”
Rawness, August 2012.
Madeline Gressel, "Working at Hacking." LINK
Wall Street Journal, October 4, 2012.
2011
“40 新青年看香港”
U Life of U Magazine, January 7, 2011.
Danielle McKay, "Underground sound evokes narcotic haze."
The Mercury, January 19. 2011.
黎凱欣，"God Save the Queen."
U Magazine, April 28, 2011.
小米，“現在音樂”
Delta Chi, May 2011.
"Hong Kong Art Guide 2011."
Time Out Hong Kong, May 2011.
“Samson Young：人與機械的單調互動”
Milk Magazine, July 21, 2011.
房欣，“科技反思科技”
Ming Pao Weekly, July 23, 2011.
“新媒體藝術：空降商場”
Metropop, July 28, 2011.
“Keith × Samson 科技演繹藝術” LINK
東方日報，August 7, 2011.
陳立怡，“音樂默想”
Ming Pao, October 28, 2011.
丁寧，“集中與走神”
藝術世間 258，November 2011.
周倩炘，“黑盒神聖體驗”
Hong Kong Economic Times, November 1, 2011.
Patrick Brzeski, "Samson Young, composer and contemporary artist." LINK
South China Morning Post, November 06, 2011.
Mercy Lo, "Then and Now."
The Standard, November 25, 2011.
郭昭蘭，“專訪聲音藝術家 Samson Young 楊嘉輝”
TADIC, December 2011.
Cherise Fong, "Samson Young recompose la musique 8-bits avec ondes cérébrales." LINK
Poptronics, December 29, 2011.
2010
Julie Makinen, "The Arts, From A to Z, at Hong Kong Festival." LINK
The New York Times, February 21, 2010.
尉瑋，“我們這個時代的聲音” LINK
Wen Wei Po, February 21, 2010.
林清風，“楊嘉輝 大男孩十二個夢”
星島日報，February 21, 2010.
Bong Miquiabas, "Pioneer composer."
Muse Magazine, March 2010.
“我打機但非宅男”
Metropop, March 4, 2010.
Steve Layton, "When there's a will (and an iPhone) there's a way." LINK
Sequenza 21, March 8, 2010.
"Samson Young’s Hong Kong iPhone Orchestra Performance at ART HK 10." LINK
Vernissage TV, May 31, 2010.
Robin Peckham, "A Conversation with Samson Young and Yao Chung-Han." LINK
Rhizome, July 28, 2010.
Robin Peckham, "Resonant if unsound: concept, style, execution."
Hong Kong Gallery Guide, July & August 2010.
Anna Calinawan, "Resonance."
Time Out Hong Kong, August 4, 2010.
Patrick Brzeski, "The Third Pixel."
Time Out Hong Kong, August 18, 2010.
Ken Smith, "The Third Pixel, Hong Kong Institute of Contemporary Culture." LINK
Financial Times, September 1, 2010.
方彥翔，“坐在路希爾的房間之外” LINK
失聲祭評論，October 2010.
Chiara Ciociola, "Beethoven Piano Sonata no. 1 - no. 14, stripped sonata."
Neural, October 8, 2010.
陳立怡，“文化前境，條條窄路：三個年輕藝術家的獨白”
C for Culture, December 2010.
2008 / 2009
"Artist Associate scheme highlights Samson Young." LINK
South China Morning Post, April 08, 2008.
蔡琇莹，“楊嘉輝譜寫青年心”
Hong Kong Economic Times, January 21, 2009.
尉瑋，“當他說 ... 給楊嘉輝的信”
Wen Wei Po, March 22, 2009.
Bourree Lam, "God Save the Queen."
Time Out Hong Kong, October 23, 2009.
"The Hong Kong Hot List: 20 people to watch."
CNN Go, November 5, 2009.
Bourree Lam, "Review: (last)intervention."
Time Out Hong Kong, November 9, 2009.
Chris Lanier, "Review of Prospectives 09." LINK
Rhizome, December 10, 2009.